![]() When I’m ready to get started with shooting, I’ll begin with one scene. I always shoot with a remote shutter release so that I’m not slightly bumping the camera between shots. The gray card helps with easy color correction later on. ![]() Last, I like to take a shot with a gray card once I get the exposure perfect. Don’t worry, this isn’t necessary, but if you do use a telescoping arm, make sure you weight your tripod down so that your camera doesn’t tip over and hit the ground. My tripod has a telescoping arm so my camera can actually be looking straight down on the scene. Next, I set up my tripod so that it is looking straight down on my canvas, which I’ve figured out in step 4, above. If I will be shooting only flat lay, I sometimes just use a large piece of foam core board. I begin by setting up some white seamless paper so that it swoops onto the floor (or a very low table). I prefer to shoot on white, but I’ve done other backgrounds too. Sometimes I will also shoot looking dead on for a 3D object (like the lemons in my example video). ![]() I shoot most of my stop motion from overhead, like a flat lay.
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